To Apollo: The Averter of Evil, the Bringer of Harmony (part 1)

1.“I am the eye with which the Universe
Beholds itself, and knows it is divine;
All harmony of instrument or verse,
All prophecy, all medicine, is mine,
All light of art or nature; – to my song
Victory and praise in its own right belong.”

Percy Bysshe Shelley, “Hymn of Apollo”

2.“In Classical times, music, poetry, philosophy, astronomy, mathematics, medicine, and science came under Apollo’s control. As the enemy of barbarism, he stood for moderation in all things, and the seven strings of his lyre were connected with the seven vowels of the later Greek alphabet, given mystical significance and used for therapeutic music. Finally, because of his identification with the Child Horus, a solar concept, he was worshipped as the sun, ….and his sister Artemis was, rightly, identified with the moon.”

Robert Graves, “Greek Myths”

Jacopo de' Barbari,

Jacopo de’ Barbari, “Apollo and Diana,” engraving, via

  1. “Coronis was washing her feet in Lake Boebeis. Apollo saw her and desired her. Desire came as a sudden shock, it caught him by surprise, and immediately he wanted to have done with it. He descended on Coronis like the night. Their coupling was violent, exhilarating, and fast. In Apollo’s mind the clutch of a body and the shooting of an arrow were superimposed. The meeting of their bodies was not a mingling, as for Dionysus, but a collision.”

Roberto Calasso, “The Marriage of Cadmus and Harmony”

As nothing can surpass the radiance of the Sun, so no other Olympian god was perceived as more radiant than the superior and grandiose Apollo. Liz Greene calls him “an image of loftiness of spirit,” Walter Otto “the manifestation of the divine amidst the desolation and confusion of the world.” He bestows grace and sublimity even on the most godforsaken places. It was exactly so with Delos, where he was born. Roberto Calasso wrote that it was “a hump of deserted Rock, drifting about the sea like a stalk of asphodel.” Yet, this barren piece of rock was surrounded by swans as if waiting for the miracle about to occur. Leto had been running from the wrath of Hera, who, jealous of Zeus, had forbidden her to give birth on stable earth. A floating poor island of Delos gained a lot from being the birthplace of Zeus’ favorite son. Calasso:

“Then Apollo emerged, and everything turned to gold, from top to bottom. Even the water in the river turned to gold and the leaves on the olive tree likewise. And the gold must have stretched downward into the depths, because it anchored Delos to the seabed. From that day on, the island drifted no more.”

Delos temple, white lions, via Wikipedia

Delos temple, white lions, via Wikipedia

Apollo, the Sun god, has been likened to no less than the Holy Grail by Liz Greene. He is the light of pure divinity of the Jungian Self that is possessed by each of us. He is the inner jewel of royalty that can shine on any desolate landscape and conquer the direst of circumstances. He is the spiritual centre of gravity; he is what sustains us when all the other modes of support have failed. Calasso calls him “unnatural,” “serene,” “abstracted,” looking down on the world, with his “eyes … elsewhere, as if gazing at an invisible mirror, where … (he finds his) own images detached from all else.”

Where there is so much blinding light, the shadow must be deep and equally enormous. Apollo’s dark side is his deadliness, his vicious competitiveness, and utter lack of forgiveness. His is the power that obliterates whatever came before it.  As he is a master archer, death by his hand comes swiftly and unexpectedly. The Homeric hymn to Delian Apollo begins with a startling scene showing the gods frightened of Apollo:

“I will remember and not be unmindful of Apollo who shoots afar. As he goes through the house of Zeus, the gods tremble before him and all spring up from their seats when he draws near, as he bends his bright bow.”


Albrecht Dürer,

Albrecht Dürer, “Poynter Apollo”, holding a bow and an orb, via

He was a conqueror in love, too, though with varied success. His first love was the aloof nymph Daphne. As Ovid wrote in his Metamorphoses, “the smitten god went up in flames until his heart was utterly afire, and hope sustained his unrequited passion.” And in a further brilliant passage, “admonished by his own passion, he accelerates, and runs as swiftly as a Gallic hound chasing a rabbit through an open field.” According to Graves, the myth of Daphne metamorphosing into a laurel tree to escape the hot pursuit of Apollo refers to “the Hellenic capture of Tempe, where the goddess Daphoene (‘bloody one’) was worshiped by a college of orgiastic laurel-chewing Maenads.” Apollo and a new solar religion took over all major mother earth shrines with the most famous one at Delphi (a subject of my next post).


Bernini, “Apollo and Daphne”

I admire Roberto Calasso’s perspicacity when he observes that in fact Apollo did not want to possess Daphne. This aloof god was after the idea of Daphne, her divine essence, and to him her worth was embodied in a symbol she left behind – a laurel leaf that he made into a poet’s crown. The Greek word “nymphólēptos “- “possession” comes from the word Nymph. Apollo made extensive use of archetypally feminine trance and possession states in all of his major oracles. He took the wild young girls from Helicon to train and cultivate their skills. The Greeks believed that he imposed the laws of civilization, divine order and measure upon the wild chaos – thus the Muses and Art were born. In the Homeric hymn to Pythian Apollo, summarized by Graf, “As soon as he enters the assembly, ‘the minds of the immortals turn to lyre and song’, and the Muses sing a hymn about gods and men. ‘The fair-tressed Graces and joyful Seasons, with Harmony, Youth, and Aphrodite the daughter of Zeus, hold hands by the wrist and dance’, and Artemis, Ares, and Hermes join them. ‘But Phoibos Apollo plays on the lyre, stepping fine and high.’” Apollonian mousika was an ultimate expression of beauty and harmony; it could still the most turbulent and confused hearts.

The songs performed by and for Apollo were paeans, which also connect with Apollo’s healing powers (the subject of my future article). Paeans, as Graf describes, were sung “before battle or after victory, at the beginning of a symposium, or before any risky undertaking, such as setting sail or, in comic parody, going to court.” They were also sung at weddings, “yet another uncertain beginning.” Apollo was seen as the Averter of Evil addressed by paeans in situations of danger and uncertainty. In a beautiful Orphic hymn to Apollo we read:

 “You make everything bloom

with your versatile lyre,

you harmonize the poles.”

Gustave Moreau,

Gustave Moreau, “Apollo Receiving the Shepherds’ Offerings”


Roberto Calasso, The Marriage of Cadmus and Harmony, Kindle edition

Fritz Graf, Apollo (Gods and Heroes of the Ancient World), Kindle edition

Robert Graves, Greek Myths

Liz Greene, The Astrology of Fate, Kindle edition

Ovid, Metamorphoses, translated by Charles Martin, Kindle edition

The Orphic Hymns, translated by Apostolos N Athanassakis, Kindle edition

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21 Responses to To Apollo: The Averter of Evil, the Bringer of Harmony (part 1)

  1. Maia T. says:

    I’ll leave this here, courtesy of my favorite band. You want the opening song, which runs about 18 minutes. For context: The first part of the song(!) is on the previous album; it’s about a pilot taking a spaceship (named, to my great pleasure, the Rocinante) through a black hole in the constellation Cygnus. It will all fit together by the end….

    Liked by 1 person

  2. cindy knoke says:

    This is fascinating and so well done and I love the photos of Delos, brings happy memories of visiting with the family~

    Liked by 1 person

  3. Hi Monika. Glad I read this before shutting down for the night. Great post. I learned a lot about Apollo, and I guess now I will need to read the Shelley poem too 😉

    Liked by 1 person

  4. Always, reading your post is a quality of life event for me. Smiles.

    Liked by 1 person

  5. Exquisitely written and crafted, Monika. I am so grateful you are illuminating Apollo now for I am realizing greater understanding just through this initial introductory post of yours alone. I think in the past due to my own judgment over the idea of Apollo taking over all of the oracles as you referenced, and also his huge shadow that comes out in various stories, I sort of held Apollo at a distance when in reality I am now realizing there is so much for me to explore related to him. I recently began reading the book “Reality” by Peter Kingsley about a priest of Apollo, Parmenides, another sign recently to embrace Apollo. Here is a quote from the beginning: “Taken by Apollo’ was one of the more simple expressions used by Greeks to convey the state of these poets and travelers into worlds ordinary people shuddered even to think about, let alone dared to go. And especially in Anatolia, where the Greek world met the East, Apollo was notorious for inspiring strange hypnotic words in his prophets that seemed just like poetry but were very different from usual poetry- and that no one could quite understand.” p. 36

    Also, Monika as is often the case my mind is blown by your astrological timing. Not sure you realize it, but the asteroid Apollo (#1862) was exactly conjunct the Sun today at zero degrees of Virgo! with love, Gray

    Liked by 1 person

    • I did not realize about the asteroid and I am really amazed that it has just crossed my Ascendant. I do not choose my topics consciously – they just come to me, I feel a presence and feel pressed to write about it. It is great to know astrology can explain why. I have also looked up my natal Apollo and was happy to discover it is on my MC. I have always felt great affinity with this god, anyway.
      Thank you so much for the beautiful quote by Kingsley.

      Liked by 2 people

  6. I very much admire the way you explained the Roberto Calasso quote.
    Another wonderful write, Monika.

    Liked by 1 person

  7. a superb post on one of my favorite gods – loved Shelley’s poem

    Liked by 1 person

  8. Maria F. says:

    “In discussion of the arts, a distinction is sometimes made between the Apollonian and Dionysian impulses where the former is concerned with imposing intellectual order and the latter with chaotic creativity. Friedrich Nietzsche argued that a fusion of the two was most desirable. Carl Jung’s Apollo archetype represents what he saw as the disposition in people to over-intellectualise and maintain emotional distance.”-Wiki
    It’s interesting to see how both Nietzsche and Jung view the Apollonian archetype. I like the Greek Helios sun-god, the true charioteer, greeted by Aurora:

    Liked by 1 person

    • I think Jung and Nietzsche would be in total agreement with each other about the psyche’s need to be open to both Apollonian and Dionysian impulses. I think also that there is no difference between Jung and Nietzsche in a way they understood Apollo and Dionysus.
      Thank you very much for your comment.


  9. Pingback: Apollo and the Pythia: the Oracle of Delphi | symbolreader

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