The Secrets of the Odyssey (8): the Sirens, Scylla & Charybdis, and Thrinacia


John William Waterhouse, “The Siren”

Reading the Odyssey in a superb translation of Robert Fitzgerald is like listening to the most delightful music. No interpretation can possibly replace the sheer pleasure of experiencing Homer’s talent. The opening lines of Book XII read:

 “The ship sailed on, out of the Ocean Stream,

riding a long swell on the open sea

for the Island of Aiaia.

Summering Dawn

has dancing grounds there, and the Sun his rising;

but still by night we beached on a sand shelf

and waded in beyond the line of breakers

to fall asleep, awaiting the Day Star.”

On the island of Aiaia, Circe receives Odysseus and his companions, who have returned from Hades, with a lavish banquet. Later at night she tells Odysseus in great detail about his next adventures, what perils await him and what precautions he must take. It seems that at this moment Odysseus is endowed with a higher understanding by the Goddess. But although his mind is clear about the right course of action, for various reasons he will not be able to prevent the destiny from “devising ill,” as he himself puts it later. It seems that a clear awareness of what the future will bring cannot stop the events from unfolding. Circe advises Odysseus about the Sirens and then about the monsters Scylla and Charybdis. The following powerful exchange between them seems to be crucial to me for Odysseus’ spiritual development and gaining higher understanding:

 “‘Only instruct me, goddess, if you will,

how, if possible, can I pass Kharybdis,

or fight off Skylla when she raids my crew?’

Swiftly that loveliest goddess answered me:

‘Must you have battle in your heart forever?

The bloody toil of combat? Old contender,

will you not yield to the immortal gods?

That nightmare cannot die, being eternal

evil itself—horror, and pain, and chaos;

there is no fighting her, no power can fight her,

all that avails is flight.”

She predicts that the monster will devour six of his companions but this knowledge of it will not prevent his heartache after this loss. The crucial lesson that Circe seems to be imparting to Odysseus is that we are powerless in the face of the archetypal godlike forces. Life is often like walking a narrow path between Scylla and Charybdis. Acknowledging the power of the gods and doing out uttermost to survive is often the only course of action left for mortals. I will speak of the monsters later, for now let the focus fall on the enchanting temptresses, the Sirens. Circe had warned Odysseus that “the Seirênês will sing his mind away on their sweet meadow lolling,“ and she had offered him a choice: he had to pour wax into his comrades’ ears to prevent them from hearing the Sirens but he could go either way: block his ears with wax or listen to the song of the Sirens while being tied to the mast so that he does not follow them to certain death. Knowing Odysseus’ ever curious character he surely chose the latter option, lying to his companions that Circe had ordered him to do so. The Sirens sang:

 “Sweet coupled airs we sing.

No lonely seafarer

Holds clear of entering

Our green mirror.

Charmed out of time we see.

No life on earth can be

Hid from our dreaming.”


John William Waterhouse, “Ulysses and the Sirens”

In Homeric Moments, Eva Brann offers her interpretation of this episode:

“The Sirens offer to ensnare Odysseus by a flattering and seductive song of nostalgia, ‘return-ache.’ They claim that men who hear it sail away the wiser, but in fact no one gets away. He too will forget the Return that leads homeward to wife and child by changing the direction of his longing to the past. He will molder in pity for his lost comrades-in-arms and in self-pity for the glory gone, wallowing in veteran’s reminiscences, aching to turn back to Troy.”

I think that the Sirens personify the charming and seductive face of the sacred feminine energy, the beauty of poetry which sings of the glorious past. Their song is like a regressive pull of the eternal ocean – the realm of myth and dreams. As daughters of either Melpomene (Muse of tragedy) or Terpsichore (muse of choral song ad dancing), the Sirens embody the dark and sad energy on the one hand, and the trance-like oblivion on the other. During this part of Odysseus’ journey the Sun passes Libra and Scorpius. It is worth remembering that in antiquity the stars of Libra were an extension of the constellation of Scorpio and were called the Claws of Scorpius. We read in Homer’s Secret Odyssey by Kenneth and Florence Wood:

“As the sun leaves Virgo it passes through the Claws of Scorpius, where three stars alpha, beta and gamma Librae make an excellent ‘island’ home for the temptresses. The Sirens sit in a grassy meadow and the star Beta Librae is said to have a greenish tinge …”


Gustave Moreau, “The Sirens”

Scorpius links the Sirens with the death force (Thanatos) and darkness that pulls and sucks all creation into it. As Pablo Picasso put it, “Every act of creation is first an act of destruction.” Thanatos, the death drive, represents a push towards extinction and is a brother of Eros, the loving and creative force in the universe. With their alluring song, the Sirens bring ecstasy and death. The two forces are always present in every artistic endeavor. “Seeing out of time” denotes the Sirens’ ability to see the past, the present and the future. They are as mysterious as the Sphinx and almost as fascinating; no wonder they have stirred the imagination of countless readers of the Odyssey although the passage dedicated to them is surprisingly short, taking into account its cultural impact.

The next stage of the journey is extremely traumatic for Odysseus. The moon moves into its dark period and the hero has to pass through a narrow passage between two deadly monsters: Scylla and Charybdis. Meanwhile, the sun passes through the autumn equinox. The Woods point out that in Homer’s times the autumn equinoctial point lay between Libra and Scorpius. During the spring equinox six months before Odysseus had encountered Polyphemus also losing six of his travelling companions. Charybdis is a deadly whirlpool, a gigantic mouth engulfing anything that came near. A huge fig tree marks the dangerous spot where she resides:

“Like Scylla, she was once a beautiful sea nymph, a naiad, and helped her father Poseidon to increase his kingdom by flooding the land. But her uncle Zeus, the god of the earth and sky, was furious and turned her into a hideous mouthlike chasm. She was condemned to always be thirsty and to suck in seawater three times a day and regurgitate it with her thirst unsatisfied.”

Cassandra Eason, “Fabulous Creatures, Mythical Monsters, and Animal Power Symbolism: A Handbook”

Scylla, a six-headed devouring monster with her “deep gullets of black death,” who resides in an underwater cave, is associated with the constellation of Scorpius by the Woods:

“As a metaphorical description of Scorpius, Homer’s imagery of Scylla’s head protruding menacingly out of her cave is reflected in the same proportions in which Scorpius seems to rise out of the Milky Way. …


“Scylla and Charybdis”, an Italian fresco (image Wikipedia)

As with the six men eaten by the Cyclops at the spring equinox, these six victims are important in balancing the days of the solar and lunar years … In the absence of Homer using fractions of numbers, Scylla’s six victims, as with those of Polyphemus, can be seen as the rounded-up five and a half days that the lunar calendar falls short of the solar calendar between one equinox and the next.”

According to myth, Scylla was once a nymph who was seduced by Poseidon. Her tale is that of bitter jealousy accompanied by murderous instincts. In her jealous rage, Poseidon’s wife Amphitrite filled Scylla’s bathing pool with poisonous herbs, which turned the nymph into a monster.

The unavoidable death of his six companions was extremely traumatic to Odysseus, as he relates:

 “She ate them as they shrieked there, in her den,

in the dire grapple, reaching still for me—

and deathly pity ran me through

at that sight—far the worst I ever suffered,

questing the passes of the strange sea.”

Although he had been warned about this loss by Circe he could have done nothing to avoid it. In grim moods the travelers sailed on until the island of Thrinacia appeared. Again, the dire warnings of both Teiresias and Circe about not killing Helios’ cattle grazing on the island were to no avail. While Odysseus was distracted looking for alternative nourishment for his crew, they were too hungry to wait and they feasted on the forbidden meat. Odysseus’ men proved thus once again that they do not match his steady resolve and higher consciousness: again they have succumbed to their simple earthy desires. Eva Brann emphasizes how more alienated Odysseus was getting from his companions, the more awareness he gained:

 “He is disciplined, hardy, and mystifying to his men in his hidden purpose to see, hear, experience, know, and apprehend, the world imaginatively. To them his leadership must look like aimless drifting into continual hazards. They have been falling away from him for quite a while now: They are urgent where he is dilatory, they are slack where he is impulsive. They depend on him but distrust him; he cares for them occasionally but not about them steadily.”


Helios’ cattle, image via

Meanwhile, the Sun has moved into the sign of Sagittarius. Zeus, spurred by Helios, punishes Odysseus’ companions by causing a violent storm in which they all drown while Odysseus drifts in the ocean on what remained of his last ship. He will eventually reach the island of Calypso but not before he is drawn towards the deadly Charybdis again. This time he holds on to the fig tree, which saves his life. Interestingly, Barbara Walkers, the author of The Women’s Encyclopedia of Myths and Secrets, says that the fig tree is a well-known symbol of the goddess.


The Goddess Hathor in a Sycamore fig tree

The Bodhi tree, under which Buddha reached the enlightenment, was in fact a species of a fig tree. Also Babylonian Ishtar took the form of the divine fig tree. Bereft of all his companions and earthy possessions, Odysseus is ready to meet the most mysterious goddess of all, the veiled High Priestess Calypso, who will offer him immortality. Unlike Buddha, he will reject this gift in favor of a life with his beloved Penelope on Ithaka, his home.


Scorpio and Libra drawn on a Mercator globe in the 1500’s, via

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26 Responses to The Secrets of the Odyssey (8): the Sirens, Scylla & Charybdis, and Thrinacia

  1. kimfalconer says:

    Reblogged this on The 11th House and commented:
    Any of you who have read my Blood and Water, or my Ava Sykes post . . or Amassia, are going to know what this from Symbol reader has me all kinds of lit up! Fabulous imagery, topic and reflections. Thank you!

    Liked by 1 person

  2. Katalina4 says:

    Such a fascinating post!


  3. Marie Taylor says:

    very thoughtful and informative.


  4. You write, “I think that the Sirens personify the charming and seductive face of the sacred feminine energy, the beauty of poetry which sings of the glorious past. Their song is like a regressive pull of the eternal ocean – the realm of myth and dreams.”

    I’ve never seen the Sirens as “charming,” nor do I think “the charming and seductive face of the sacred feminine energy, the beauty of poetry,” is destructive per se. I think that phrase could describe Beatrice in “The Divine Comedy,” for example, (though of course Dante wasn’t about to call her seductive). Also, “regressive pull of the eternal ocean,” describes what Jungians call “the negative mother,” something I imagine as heavier, like the heaviness of sleep in the land of the lotus eaters.

    Odysseus really is phenomenal. He has managed to attract Athena and Hermes as guiding spirits, and it’s hard to imagine two more fluid and subtle types of wisdom. In his passage through all these various realms, he is guided to the right action at the right time. There’s a time let go and a time to pull your sword, and you better not get them confused.

    Yet through all this, they guy ultimately survives because he is grounded enough to cherish hearth and home above all else. It makes sense that the ultimate Greek hero never forgot or struggled against his mortality (maybe that was part of the siren’s temptation?). To do so would have been to risk hubris, from which nothing good ever came.

    Another thought provoking post in a great series. Thanks!


    • Thank you very much for offering your understading here. I very much appreciate it. The Odyssey is a stunning work of art revealing wonders on every page. It comprises such totality that it is no wonder that each reader brings something different to it.

      Liked by 1 person

  5. thank you. Always you spark some new understanding.


  6. Ahhhh, how I’ve missed your posts. Work is weighing heavily on me. I have a big deadline on Friday. Should have more free time for enjoyable things after that. 🙂 Cheers!


  7. This is an incredible post, I have had to read some of its passages twice to digest… I think the time of the Goddess is here once again… It will be interesting to say the least… Many thanks for you indepth study.. Loved also all the artwork here…
    Enjoy a beautiful Wednesday 🙂 Love Sue xox


  8. ptero9 says:

    “Their song is like a regressive pull of the eternal ocean – the realm of myth and dreams. As daughters of either Melpomene (Muse of tragedy) or Terpsichore (muse of choral song ad dancing), the Sirens embody the dark and sad energy on the one hand, and the trance-like oblivion on the other.”

    I love the balance in which you express the dayworld/underworld relationship Monika. It’s true that getting lured into the underworld is a “happy fault,” or an initiation that is most necessary to round out our perspective, identifying with darkness alone, or any power of a god (as if it is our power and not theirs), will lead to our ruin.

    I love pondering the relationship between fate and freewill, which is perhaps the best we can do to not be swayed by the finality of either force. Neither extremity is to be identified with, although at times it seems as though one or the other is steering our ship.

    Thank you for continuing to share this series with us Monika!

    “And while the future’s there
    for anyone to change,
    still you know it seems
    it would be easier sometimes
    to change the past.”
    Jackson Browne


    Liked by 1 person

    • I love everything you said here, particularly about the need for balance between darkness and light and the danger of being swallowed by archetypal forces. And yes, so true how we often get swept into the future rather than choose it.

      Liked by 1 person

  9. wonderful post Monika – i have just posted something which you cannot wait to read – o hindu astrology – come visit and comment – lol


  10. H3nry J3kyll says:

    This began as an awesome series and has continued to delight. I have thoroughly enjoyed the insight into a work that has always managed to elude a detailed study. Thank you Monika!


  11. This is a wonderful post for us all to enjoy… giving us courage to be our grandest self and go out into the world with no fear now… Thankyou x Barbara


  12. Dimitri says:

    The alternative sign for the constellation of Scorpio is an eagle. It goes way before the days of the Odyssey and continues after it (Ezekiel’s “wheel within the wheel” describing the Lion, Eagle, Man and Taurus of the cross). As you noted before, the story of Odysseus very much follows the astrological events, so passing by the sirens is among other things crossing between the Scorpio/Eagle and Virgo, therefore half Virgins half Eagles…


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